Vel\u00e1zquez, Rembrandt, Vermeer: Parallel visions is an exhibition that encourages visitors to not only appreciate the quality and importance of the 72 works on display, some by the most admired painters of 17th-century Europe, but also to establish points of comparison between them. The traditional and long-standing idea of the art produced in different parts of Europe is that it is notably different: that Vel\u00e1zquez, for example, is “very Spanish” and Rembrandt “very Dutch”. This viewpoint is based on the excessive influence that 19th- and 20th-century nationalist mindsets and ideologies have had on our way of understanding art. Studies from that period placed enormous importance on the idea that every nation had a different national character, as a result of which the notion that these differences were manifested in the art of each country became widespread. This perspective functioned to minimise the traits shared by European artists. The case of 17th-century Spa<\/p>\n","protected":false},"excerpt":{"rendered":"
Vel\u00e1zquez, Rembrandt, Vermeer: Parallel visions is an exhibition that encourages visitors to not only appreciate the quality and importance of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[97],"tags":[],"class_list":["post-13890","post","type-post","status-publish","format-standard","hentry","category-publications"],"yoast_head":"\n